My Experience with the SIS Orchestra Concert 3: Tchaikovsky On the 28th April 2011 1 participated with the Iowa state orchestra on the last performance for the year. The orchestra included works by Tchaikovsky. The orchestra performed the 5th Symphony in E minor. This piece is in sonata form, which has a theme that is heard throughout the piece. The overall trajectory of the Tchaikovsky 5th reminds the listeners to Beethoven’s 5th symphony as they were both during the times of war and it is illustrated in both symphonies.
This piece is a reflect example of a Romantic-era symphony colorful, complex and above all, passionately emotional. The symphony has four movements which consist of a fast, slow, dance and another fast movement. The theme of this piece is heard throughout this piece. The first movement is the Andante- Allegro con anima begins with a lengthy slow introduction, entering darkly with a funeral character on the clarinet. In sonata form the subject enters gently with the repetitive brevity of a Russian dance, building in intensity.
The development section is quite short and concentrated with the recapitulation necking in, in the bassoons. The coda recedes into the deeps, presaging the mood of the next movement. Following the first movement is the Andante cantabile which has a tender, expressive melody played by the French horn that sounds almost like a love song. But then the original theme suddenly and rudely interrupts the reverie, as though we were able to break away from our troubles for a short time, this theme is a reminder that we are still in war and that darkness is still upon us.
This movement is in a standard ternary form with the A section in D major and the B section in F# then a restatement of A section with different orchestration. Leper K. 12 The third movement called the Vales: Allegro moderate begins like a graceful, pastoral waltz. Once again, it feels as if our hero has escaped from fate’s cruel clutches. This time, the illusion of safety lasts for nearly the entire movement, creeping into the coda the known criminal, the main theme, sneakily imitating the IdГ©e Fixed in the Ball movement of the Symphony Fantasies as if it was hiding in the bushes all along.
The movement ends hurriedly, before the motto can do any damage. The return of the motto theme in the 3rd movement preceded by a waltz in major key, strikes the listener as a reminiscent of the tragic opening of the symphony. Movement was probably the most challenging movement to play as the idГ©e fixed is almost taking over and the whole orchestra is playing loud and the violins are going crazy almost delusional. In this movement Tchaikovsky transposes the “fate or idГ©e fixed” theme from the dusky, moody key of E minor to the bright sunshine of E major, and the transformed melody blossoms into a triumphant march.
It’s as if Tchaikovsky is telling us that humans cannot ignore or escape from their fate, but they can overcome their circumstances and transform them into something brighter and better. This is one orchestra work that illustrates abilities color in all the instruments and also has the biggest horn solo in orchestral horn repertoire. Overall the orchestra did a wonderful Job with this work. Dry Harrison says “It was the kind of performance we musicians want and crave for every concert, but we all know that it doesn’t always happen that way. ”